Showing posts with label #istariray23learnings. Show all posts
Showing posts with label #istariray23learnings. Show all posts
Sunday, February 05, 2023
Friday, March 11, 2022
#CalculatingForce, #Grade6Science, #istariray23learnings, #LawOfAcceleration, #Science, #TeacherNemuelBandola
Law of Acceleration
Reposting it here from Teacher Nemuel
Grade 6 Science
#LawOfAcceleration,
#CalculatingForce,
#Science,
#Grade6Science,
#TeacherNemuelBandola,
#istariray23learnings,
Wednesday, March 02, 2022
#CalculatingVelocity, #Grade6Science, #istariray23learnings, #Science, #TeacherNemuelBandola, #Velocity
Calculating Velocity
Reposting from Teacher Nemuel
Grade 6 Science
#Velocity,
#CalculatingVelocity,
#Science,
#Grade6Science,
#TeacherNemuelBandola,
#istariray23learnings,
Tuesday, February 22, 2022
#istariray23learnings, #istariray23moments, #Love, #Love&Respect, #LoveAndRespect, #Men&Women, #MenAndWomen, #Respect
Love & Respect
The Love & Respect Connection vs. The Crazy Cycle of Misunderstanding
Stumbled upon this while doing my daily devotionals and as I read along....
These information's struck me and indeed very very true, let me share this with you...
You are not alone. It’s true that men and women have different communication styles and needs. Mark 10:6 says, “But at the beginning of creation God made them male and female” (NIV). When this fact is acknowledged, then a shift toward productive and positive communication can start to radically transform your relationship.
First, what do women most need to feel from their men?
LOVE. Sounds simple, but a woman perceives love from her man in specific ways that he might not understand . . . yet!
Next, what do men most need to feel from their women?
RESPECT. Unfortunately, in this modern age, the word respect has many women bristling with disdain simply because they do not understand the biblical concept of the word. This dual misunderstanding of love and respect creates a sharp edge within relationship/marriage. But God longs for us to call a truce with our partner/spouse, to be humble and teachable. When properly executed, Eggerichs calls this the Love and Respect Connection. When this connection is broken, it leads directly to what he calls the Crazy Cycle: “Without love, she reacts without respect. Without respect, he reacts without love.”
Attention women!
Did you know that your husband always knows deep down that you love him, no matter the argument? But he is not nearly as confident and assured in your respect for him. This is why men don’t “need” love as a priority; they already feel they have it. Rather, when in conflict with you, their wife, they need to be assured of what they feel is at risk: your respect. As a result of not receiving respect, men often stonewall or withdraw. These patterns of actual or perceived disrespect can change, but it takes to trust in his love for you and humility to let your guard down and recharge him with feelings of respect and honor.
Attention men!
Your wife fears losing your love. Therefore, the more she communicates (aka “talks”), the more she believes she can resolve the dysphoria within herself and maintain your love. The frequent “diving deep” into your thoughts and feelings is for her to stay on top of any disharmonious feelings between the two of you and keep the lines open. When you feel critiqued and then shut down, she truly believes you are abandoning the unconditional, unending love you promised her.
Whew! Talk about miscommunication . . .
Remember what Eggerichs says: “Men hear criticism as contempt; women feel the silence as hostility.” When each of you can understand the miscommunication and take a moment to reevaluate and readjust your behavior (verbal or nonverbal), you come closer to living in the Energizing Cycle with each other. The Energizing Cycle says: “His love motivates her respect. Her respect motivates his love.” Doesn’t that sound so much better than the Crazy Cycle?
Read 1 Corinthians 7:33-34. These verses are about the desire to please one another. Ask your partner to share ways you could better love her or show respect to him. Have an open heart and open mind when doing this exercise. But do not offer to them an unsolicited list of ways they could better love or respect you. They may ask for it in return, which you could then carefully respond to. But do not enter this exercise with the intention of making it about you and your needs. Rather, keep your focus on how you can better love and respect your spouse.
Lord, You created male and female to be different yet still compatible. Help me accept the differences and open my heart to a deeper union. This requires a willingness to give something I’ve been withholding. Help my generosity toward my spouse be greater than my desire to obtain something for myself. Amen.
Friday, February 18, 2022
Calculating Speed
Reposting it here from Teacher Nemuel
#CalculatingSpeed, #Science, #Teacher Nemuel Bandola, #istariray23learnings,
Tuesday, January 19, 2021
#FilipinoMusic, #FilipinoTraditionalMusic, #istariray23learnings, #PilipinoMusic, #PilipinoTraditionalMusic, #TraditionalMusic, #VisayanMusic, #VisayanTraditionalMusic
Visayan Traditional Music and Instruments
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VISAYAN MUSIC
**-The music of Visayas is highly influenced by the Spaniard due to colonization.
- their vocal music is highly dependent on its use and purpose.
BALITAW - a type of a song and dance debate between a man and a woman.
Visayan Vocal Music
- they have songs for many occasions and situations from expressions of love and courtship to children's songs, work, and drinking songs.
Visayan Romantic Songs
- Matud Nila
- Rosas Pandan
- Usahay
Drinking and work songs
- Condansoy
- Ako Kini Si Angi
- Si Pelimon
Children Songs
- Ilo nga Bata
- Tong Pakitong Kitong
Farewell Songs
- Dandansoy
Lullabye
- Ili ili tulog anay
Narrative Song
- Penpen De Sarapen
The most famous Visayan ensemble is the Rondalla
Rondalla - is a string ensemble brought to the Philippines by the Spaniards.
Rondalla Ensemble
- Banduria
- Laud
- Octavina
- Gitara
- Bajo de Arco
Another Visayan Musical Ensemble is the Tultogan
Tultogan - is a bamboo and drum ensemble. Its roots stemmed from the natives' use of bamboo to communicate with each other.
In order to produce sound, bamboo sticks are cut in varying length and is placed on a pedestal, which is then struck in rhythm.
Harp- also called Alfa in the Visayas, is a diatonic harp adapted from the harp from Europe
Other Sources;
#NativeMusic, #FilipinoMusic, #PilipinoMusic, #FilipinoNativeMusic, #PilipinoNativeMusic, #CordilleraNativeMusic, #CordilleraMusic, #MindoroNativeMusic, #MindoroMusic, #PalawanNativeMusic, #PalawanMusic, #VisayanNativeMusic, #VisayanMusic, #FilipinoNativeMusicalInstuments, #FilipinoMusicalInstruments, #Grade7, #MAPEH,
#GRADE7MAPEH, #istariray23learnings,
Pilipino Music, Cordillera Music, Mindoro Music, Palawan Music, Visayan Music, Filipino Musical Instruments, Filipino Music, Grade 7 MAPEH, MPEH,
Monday, January 18, 2021
#FilipinoMusic, #FilipinoMusicalInstruments, #FilipinoTraditionalMusic, #istariray23learnings, #PalawanMusic, #PalawanNativeMusic, #PilipinoTraditionalMusic, #TraditionalMusic
Palawan Traditional Music and Instruments
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PALAWAN MUSIC
**-The music of Palawan expresses respect for the spiritual as well as the natural physical world through epic chants, nature songs, and instruments.
Palawan Vocal Music
TULTUL - is a chanted vocal music about epic heroes and usually chanted at night, ending at daybreak.
KULIAL - a lyrical poem expressing love. This vocal music is accompanied by Kudyapi and Pagang.
KUDYAPI - two-stringed lute uses by male
PAGANG - bamboo zither uses by the female. Consist of a bamboo tube about 12cm in diameter closed at both ends by nodes, partially open for better resonance.
Characteristic of Palawan Music
Imitations of sound from nature and the environment.
Highly influenced by the native language of the province.
Palawan Musical Instruments
Bagit - instrumental music played on the Kusyapi or Kudyapi
Basal
- it is a gong ensemble that consists of one or two sets of big gongs.
Basal Gong Ensembles
Agung- small ringed gongs
Sanang- ringed gongs bigger than Agung
Gimbal- drum
Aruding - a bamboo jaw harp; made of bamboo or metal, with a thin flexible tongue made to vibrate by plucking the tip of the instrument while the player's mouth will serve as the resonator.
Suling- a banded bamboo flute
Other Sources;
#Pilipino Music, #Cordillera Music, #Mindoro Music, #Palawan Music, #Visayan Music, #Filipino Musical Instruments, #Filipino Music, #Grade 7 MAPEH, #MPEH,
#TraditionalMusic, #FilipinoMusic, #PilipinoMusic, #FilipinoTraditionalMusic, #PilipinoTraditionalMusic, #CordilleraNativeMusic, #CordilleraMusic, #MindoroTraditionalMusic, #MindoroMusic, #PalawanNativeMusic, #PalawanMusic, #VisayanNativeMusic, #VisayanMusic, #FilipinoTraditionalMusicalInstuments, #FilipinoMusicalInstruments, #Grade7, #MAPEH, #GRADE7MAPEH,#istariray23learnings,
Sunday, January 17, 2021
#FilipinoMusic, #FilipinoMusicalInstruments, #FilipinoTraditionalMusic, #FilipinoTraditionalMusicalInstuments, #istariray23learnings, #MAPEH, #PilipinoMusic, #PilipinoTraditionalMusic, #TraditionalMusic
Mindoro Traditional Music and Instruments
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MINDORO MUSIC
**-covers a wide array of topics that affects the Mangyans daily life.
-Mangyan tribes of Mindoro are animists, which means they worship spirits and natural forces as gods as part of their religion.
Mindoro Vocal Music
- AMBAHAN - lyrical chant of pure Mangyan
- PAMUYBUYEN - songs about legends
- MARAYAW - a song used to communicate with spirits in rituals for healing the sick and protecting the community.
Characteristic of AMBAHAN
- Composed of seven rhyming syllables in one line.
- The number of lines found in 3 several Ambahan ranges from 3 to 4
- Can be sung in a variety of ways either with a tone like the pasyon or in a conversational way.
- Each person can sing the chant uniquely as there is no set melody
- It is written in a bamboo tube
Mindoro Musical Instrument
3 Major Instruments
*Kudyapi - is a two-stringed lute with a long neck that is plucked by the musician
*Gitgit - is a bowed lute with 3-4 strings. The bow used in the gitgit is made of human hair.
*Kalutang- is a pair of equal-sized sticks made of wood that is struck against each other to produce sound. Percussion sticks played in pairs.
Bangsi - an external duct flute, which has a chip glued onto the tube of the flute. This is also called a transverse flute.
Subing or Kinabahan- a bamboo jaw harp played by putting your lips and plucking the slightly pointed end. It is also known as "Kubing".
Agong- a wide-rimmed pail-shaped metal with a circle in the middle, vertically suspended gongs which are also used by the Maranao, Maguindanao, and Tausug people of the Philippines as a supportive instrument in Kulintang ensemble.
Other Sources;
#Pilipino Music, #Cordillera Music, #Mindoro Music, #PalawanMusic, #VisayanMusic, #FilipinoMusicalInstruments, #FilipinoMusic, #Grade7MAPEH, #MPEH,
#TraditionalMusic, #FilipinoMusic, #PilipinoMusic, #FilipinoTraditionalMusic, #PilipinoTraditionalMusic, #CordilleraNativeMusic, #CordilleraMusic, #MindoroNativeMusic, #MindoroMusic, #PalawanNativeMusic, #PalawanMusic, #VisayanNativeMusic, #VisayanMusic, #FilipinoTraditionalMusicalInstuments, #FilipinoMusicalInstruments, #Grade7, #MAPEH, #GRADE7MAPEH,#istariray23learnings,
Saturday, January 16, 2021
#FilipinoMusic, #FilipinoMusicalInstruments, #FilipinoTraditionalMusic, #FilipinoTraditionalMusicalInstuments, #istariray23learnings, #MAPEH, #PilipinoMusic, #PilipinoTraditionalMusic, #TraditionalMusic
Cordillera Traditional Music and Instruments
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CORDILLERA MUSIC
**-their music is used in various settings by the tribes ranging from songs about infancy to epic poetry.
3 Categories of Cordillera Music
- Vocal Music
- Instrumental Music
- Vocal ensemble with instrumental accompaniment
Characteristic of Cordillera Vocal Music
Mellismatic
- vocal passage with one syllable
- sung against several notes passages
- multiple notes are sounded into a single vowel in a song.
Free Meter
- musical meter without a time signature
- songs are bounded by a time signature
An example song is SALIDUMAY- Cordillera songs that express thanksgiving, worship, courtship among other positive themes.
Cordillera Vocal Music by Tribe
Kalinga Tribe
-Tamuyong
-Dangdayang-ay
-Salidumay
-Oggaym
-Dango
Subannen Tribe
-Bua
Manobo Tribe
-Antang
Tausug Tribe
-Langan Batabata
-Sindaay
-Tarasul
Kalinga Tribe
-Kawayaman
-Oppia
Ifugao Tribe
-Hudhud
HUDHUD
- epic poetry sang only in 4 major instances rice harvest, weddings, funerals, and wakes.
- it is composed of 200+ stories that each contains over 40 episodes that revolve around the lives of heroes and heroines as well as wealth and culture.
IBALOI BADIW
- major vocal music of Cordillera
- highly considered as the signature form of vocal music to specific cultures in the Cordillera
- it is in the style of the leader chorus form and is mostly sang without any prior preparations or practice.
Cordillera Musical Instrument
3 Major Divisions
- Metal
- Bamboo
- String
Metal Instruments
-Gangsa played in two ways
Toppaya- called when playing Gangsa in sitting position
Pattung- called when playing Gangsain standing position
Bamboo Instruments
-Bungkaka- bamboo buzzer of Kalinga
-Kaleleng & Tongali- long narrow nose flute
-Tongatong- percussion instruments in various lengths
-Patteteg- bamboo leg xylophone.
-Diwdiw-as- 5 or more sets of slender bamboo pipes that are arranged from longest to shortest tied together. Played by blowing through the ends of the pipes.
-Saggeypo- bamboo pipe that is closed on one end by a node with the open end held against the lower lip of the player as he blows on the top.
-Solibao- a hollow wooden Igorot drum topped with pig or lizard skin that is played by striking the drumhead using the palm of the hand.
-Kulitong- a polychordal (two or more chords) bamboo tube zither of Kalinga.
-Ulibaw- a bamboo Jew's harp
-Patangguk- a bamboo quill-shaped tubes with a hole near the closed end. This is played by hitting the bamboo on a small piece of wood while covering and uncovering the hole with the thumb.
String Instruments
- Kuglog
- Saluroy
Other Sources;
#Pilipino Music, #Cordillera Music, #Mindoro Music, PalawanMusic, #VisayanMusic, #FilipinoMusicalInstruments, #FilipinoMusic, #Grade7MAPEH, #MPEH,#istariray23learnings,
#TraditionalMusic, #FilipinoMusic, #PilipinoMusic, #FilipinoTraditionalMusic, #PilipinoTraditionalMusic, #CordilleraNativeMusic, #CordilleraMusic, #MindoroTraditionalMusic, #MindoroMusic, #PalawanNativeMusic, #PalawanMusic, #VisayanNativeMusic, #VisayanMusic, #FilipinoTraditionalMusicalInstuments, #FilipinoMusicalInstruments, #Grade7, #MAPEH, #GRADE7MAPEH,
Friday, January 15, 2021
#FilipinoMusic, #FilipinoMusicalInstruments, #FilipinoTraditionalMusic, #FilipinoTraditionalMusicalInstuments, #istariray23learnings, #MAPEH, #PilipinoMusic, #PilipinoTraditionalMusic, #TraditionalMusic
Filipino Traditional Musical Instruments
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Musical Instrument - an object or device for producing musical sounds.
Hornbostel-Sachs instrument classification system was created by Erich Moritz von Hornbostel and Curt Sachs. Instruments are classified using 5 different categories depending on the manner in which the instrument creates the sound: Idiophones, Membranophones, Chordophones, Aerophones, & Electrophones.
Hornbostel-Sachs 5 Classification of Musical Instruments
- Aerophones
- Chordophones
- Membranophones
- Idiophones
- Electrophones
1. Aerophones
- produce sound by vibrating a column of air. These are commonly known as wind instruments and there are four basic types.
Bulungudyong - vertical flute (Pinatubo Ayta)Palendag - lip-valley flute (Kalinga)Tongali - nose flute (Kalinga)Tumpong - bamboo fluteTulali - flute with 6 holesTumpong - bamboo fluteBansik - bamboo flute with three holes of the Negrito people in Zambales.
Philippine bamboo aerophones include various types of flutes, pan-pipes, and reed pipes.
Lip notch flute- mouthpiece which is obliquely cut and curved at a slant to follow the contour of the player’s lips
- flutes which are mostly end-blown with the air stream directed into the open end of the tube.
- called the lip valley notch flute because of its mouthpiece which is obliquely cut and curved at a slant to follow the contour of the player’s lips.
Paldong- called in the southPalendag- called in the north
*Flutes are used as an instrument of leisure, used for serenading, courting, or merely to pass the time away.
Nose Flute - another type of end-blown flute
Tongali- nose flute of KalingaKaleleng- nose flute of BontokUngiung- nose flute of IfugaoLantuy- nose flute of HanunuoLantoy- nose flute of BatakBulaktob - nose flute of BukidnonCuyunin- nose flute of Palawan/gigantic nose flutes with tubes much larger in diameter than those found in LuzonSuling- ring-type flutes used in the southern PhilippinesThumpong- whistle type flute of SubanunSaunay- reed whistle type flute of Tausug
Stopped pipes
- The bamboo pipe is closed on one end by a node with the open end held against the lower lip of the player as he blows directly across the top.
- The pipe can be played individually by one person or in ensembles of three or more.
Saggeypo- stopped pipes of KalingaSagay-op - stopped pipes of Bontok
Bamboo panpipes are rarely used. These consist of a number of bamboo pipes (5-8)strung together.
DiwasDiwdiwasDew-dew
Transverse Flutes
- adaptations or imitation of European versions evident in the borrowed names such as flauta
Plawta- transverse flute of ManoboPalawta- transverse flute of Hanunuo, WarayTipanu- transverse flute of Cuyunin, Batak of Palawan
**Other blown instruments are those made from shell or carabao horn and used for calling people or sending messages over wide distances.
Shell trumpets
budyong, lungga, taburi
Carabao horns
Tambuli- called by Tagalog
Kogao- called by Ifugao
2. Chordophones
- produce sound by means of a stretched vibrating string. When a string vibrates, the resonator picks up that vibration and amplifies it giving it a more appealing sound. There are five basic types based on the strings' relationship with the resonator.
Bamboo violin - a three-stringed violin of the Aeta people.Butting - a bow with a single hemp 5 string, plucked with a small stick.Faglong - a two-stringed, lute-like instrument of the B'laan. Made in 1997Budlong - bamboo zitherKolitong - a bamboo zitherPas-ing - a two-stringed bamboo with a hole in the middle from Apayao people.LutesBandurria - part of rondalya ensemble, it has a shorter neck and 14-strings compared to its Spanish ancestor.Kudyapi - a two-stringed boat lute from Mindanao.Laúd - similar to the bandurria, it is ultimately of Spanish origin. Also part of a rondalya ensemble.Octavina - part of a rondalya ensemble, it is of ultimately Spanish origin.
- These are bamboo or wood-stringed instruments that may be struck, plucked, or bowed.
- They included zithers, lutes, and bowed strings.
Philippine zithers have resonating bodies that are made from bamboo tubes or half tubes with strings that run parallel to the length of the tube.
Tube zithers are found in northern Luzon, Mindanao, and Palawan.
Two Types of Zithers
1. Polychordal zither2. Parallel stringed zithers
1. Polychordal zithers
-several strings that run around the tube
-have strings that are etched out of the bamboo body, remaining attached at both ends
-Small wooden frets are inserted beneath the string near the ends
The number of strings varies from 5 to 8 or 9 and occasionally even 11
-found in Cordilleras, Mindanao, and Palawan
-known in the following names- kolitong, kollessing, kulibet, saluray, sigitan, takul, tangke, togo, and pagang.
2. Parallel stringed zithers
-have two strings on one side of the tube.
-two bamboo strands, about 5 cm. apart, are etched out to the tube to serve as strings.
-at the mid-point of the tube, below the strings, a small sound hole is bored and covered by a small bamboo plate clipped to the strings
-when played, the strings are struck by a bamboo stick or plucked
-found in northern Luzon, Mindoro, Mindanao, and Palawan
-known in the following names- tambi, bamban,tabengbeng, kudling, tabobo, thambabok, takumbo, and patigunggung
Lutes-are of the long neck variety, with two strings that run from the neck to the base of the resonating chamber.-One sting plays a drone, the other a melody-Though all the lutes are fretted, the location and number of frets vary between groups-found only in the south, in Mindanao and Palawan
Sample LutesKudyapi-are glued to the body of the resonating chamber-frets of the Maranao and Maguindanao-Frets are located on the neck of the instrument for the following;Fuglung - BilaanKudlong - MandayaKusyapi - Palawan
Fiddles- One stringed bowed lutes of the long neck variety- found in Mindanao- They have a sounding box made from a coconut half-shell covered with a leaf or a piece of bark or animal skin.- The string is made of abaca fibers, horsehair, and more recently, wire.- Duwagey by the Manobo and BilaanCumparsa-string ensemble emerged in the later period of the Spanish regime-adaptation of similar instrumental groups in Mexico (murza or murga) and Spain (estudiantina)Rondalla Ensemble-consists of plucked string instruments-the bandurria, the laud, the octavina, the six-stringed gitara, and the bajo de unas or bass guitar.
Bandurria- pear-shaped, with a rounded back, a round soundhole, and a fretted neck. - serves as the melody instrument of the ensemble- tuned an octave below the laudOctavina- tuned an octave below the laud- together with Bandurria furnish the inner harmonies and contrapuntal elaboration to the melody.Gitara- main function is to supply the arpeggiated or chordal underpinnings of the ensembleBajo de unasis tuned like the contra-bass
3. Membranophones
- are musical instruments that use vibrating stretched membranes or skin to produce sound. Membranophones are classified according to the shape of the instrument.
Agung a tamlang - bamboo (slit drum)Dabakan - goblet drum (Maranao)Gandang - double-headed barrel drum (Maranao)Kagul - scraperLibbit - conical drum (Ifugao)Sulibao - conical drum (Ibaloy)Gambal - drumsTambul - drum
-single and double headed drums are found throughout the Philippines
-they are variously shaped–conical, cylindrical, goblet shaped, barrel shaped
-animal skins (snake, deer, or goat) is used as head/heads of the drum
-may be beaten with sticks or by the palm portion of bare hands
-seldom used alone except to announce tidings over long distances
-they are played with other instruments, particularly gongs, to form different kinds of ensembles
Sulibao and Kimbal of the Bontok and Ibaloi
-longitudinal slightly barrel shaped hollowed out logs with deer skin heads on one end
-they are played with palms of two hands
-they are combined with gongs and other instruments to form different types of ensembles.
Kimbal-taller drum (ca. 80 cm)Sulibao/Sulibaw-shorter drum (ca. 75 cm)-drum dead is small measuring about 6 cm. in diameter
Ifugao libbit
-Ludag is a conical drum with a deer or goat skin head
-it is played with a gong during harvest time under the rice granary.
Dabakan
-is a large goblet shaped drum
-used by the Maranao and Maguindanao in their kulintang ensembles
4. Idiophones
- are musical instruments in which a vibrating solid material is used to produce sound. Examples of solid materials used in such instruments are stone, wood, and metal. Idiophones are differentiated according to the method used to make them vibrate.
- Instruments that produce sound from the substance of the instrument itself (wood or metal) are classified as idiophones. They are further subdivided into those that are struck, scraped, plucked, shaken, or rubbed. In the Philippines, there are metal and wooden (principally bamboo) idiophones.
Kubing - jaw's harp (Maranao)Gangsa - flat gongs made of bronze, brass, or iron used by Isneg, Tingguian, Kalinga, Bontok, Ibaloi, Kankanai, Gaddang, Ifugao, and Ilonggot.Gongs - varies in size, the average is struck with wooden sticks, padded wooden sticks, or slapped with the palm of the hand. Used by Cordillera highlanders is an integral part of peace pact gatherings, marriages, prestige ceremonies, feasts, or rituals.
Tuned gongsAgung - large gong suspended from an ornate frameGandingan - set of four large hanging knobbed gongsKulintang - set of eight tuned gongs placed horizontally in an ornate frame, tuned pentatonic scale|pentatonically.XylophonesGambang/Gabbang - bamboo blades on a frame (Yakan, Batak, B'laan, Badjao, Taus)Luntang - wooden beams hanging from a frame (Maguindanaon)MetallophonesKulintang a tiniok - set of eight, tuned knobbed metal plates strung on a wooden frame (Maguindanaon)Babandil - small gongSaronay - eight tuned knobbed metal plates strung over a wooden frame (Maranao)
Metal idiophones are of two categories:
- flat gongs
- bossed gongs
Flat gongs called Gangsa
- made of bronze, brass, or iron
- used by people in the north among the Isneg, Tingguian, Kalinga, Bontok, Ibaloi, Kankanai, Gaddang, Ifugao, and Ilonggot
Gongs
- vary in sized
- the average is struck with wooden sticks, padded wooden sticks, or slapped with the palm of the hand
Gong playing among the Cordillera highlanders is an integral part of peace pact gatherings, marriages, prestige ceremonies, feasts, or rituals.
3 Types of GongsKulintang-sets of graduated gongs laid in a rowAgung-larger, deep-rimmed gongs with sides that are turnedGandingan- gongs with narrower rims and less prominent bosses
Bamboo idiophones abound in the Philippines-xylophones, drums, quill-shaped tubes, stamping tubes, scrapers, buzzers, and clappers
Gabbang
-bamboo xylophone, consists of bamboo keys of graduated lengths mounted on a trapezoidal box. The number of keys varies among the different ethnic groups, ranging from 3 to 22.
-uses by Yakan, Sama, Tausug, and Palawan
Patatag
- individual bamboo xylophone, like blades and are struck with bamboo sticks.
- uses by Kalinga
Bantula
- bamboo slit drum, fashioned out of a bamboo tube closed at both ends with anode with a slit cut out of the tube.
- its main use is to announce important events.
- uses by Bukidnon
Tagutok -called by Marano / Kagul - Maguindanao
- struck quill-shaped bamboo tubes with notches etched on the tube
The player scrapes the notches with a bamboo stick.
Balingbing, Pew-pew, Pakkung, Bilbil, Bungkaka
- bamboo buzzers
- made from a length of bamboo closed with a node at the bottom, with its top half shaped so that two tongues face each other
- The top half is struck against the palm of the hand
- uses by Cordillera Highlanders
Hanger
- bamboo clapper
- fashioned from a tubular section of bamboo, split from one end to approximately half of the tube.
- Each half of the split portion is shaped to make it narrower in the middle, thus making it more flexible when the halves are made to flap against each other.
- Uses by Ifugao
Wooden idiophones include sticks, suspended logs, and log drums.
Kalutang
- consists of pair of sticks cut from forest trees.
- These are struck against each other and played while hiking through forest and mountain trails.
- uses by Hanunuo
Pattunga
- percussion yoke bar made from a tapered piece of wood and struck with a stick.
- It is used in ceremonies for the sick, at rites that entail the offering of sacrificial pigs, or at death rituals.
- uses by Ifugao
Suspended logs are widespread in the southern Philippines where they are known by different ethnic names.
Luntang
- consists of several logs of varying lengths hung in order from longest to shortest.
- The pointed playing ends of each log are struck by one performer creating a melody against which another performer beats drone rhythm on one of the logs.
- Uses by Maguindanao
Edel
- is a sounding board with a resonator played during wedding celebrations together with a drum or gong to accompany dancers.
- uses by Tagakaolo while the Bagobo and Bilaan have similar drums.
Jews harps are bound all over the Philippines.
Kubing
- called by people from the south
Ulibaw
- called by people from the north
- made from bamboo although in the Philippines some are made of metal.
- It is a type of mouth resonated instrument consisting of a flexible tongue fixed at one end to a surrounding frame.
- The player places the free end of the instrument with the hand, or in some other types by pulling a string attached to the blade.
5. Electrophones
- are musical instruments that produce sound electronically or produce its initial sound traditionally and then are electronically amplified. Some examples of instruments that produce sound electronically are electronic organs, theremins, and synthesizers. Traditional instruments which are electronically amplified include electric guitars and electric pianos.
Other Sources;
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